Behind the Curtain: Rehearsing the Chaos and Magic of Into the Woods

This is my second production stage managing for High Tide, and what a production it is. I want to preface this and make it extremely clear; this show is hard. Sondheim is a beast. This production would not be possible without the constant unwavering dedication, skill, and heart from every single cast and crew member. They are the heart, soul, and the magic of this production, truly.

This show, from the very first night of auditions all the way up to where we stand now, has been a constant whirlwind of excitement and creativity. This show deals with heavy themes told in a nonsensical, absurd, and comedic way, while still having to remain lighthearted and entertaining, but not letting the true meaning behind the show slip through the cracks. This means that there are constant moving parts; changes and adaptations that are made to accommodate the ebb and flow of the story.
 
Rehearsals themselves have been a nonstop marathon. Music was fully taught by the end of week two, the show was almost fully blocked at week four. There isn’t a single scene that does not introduce chaos into the story. It is a whirlwind of moving parts and interactions, all winding together to make a huge web of storylines. The way they impact one another shows how truly “no one is alone.” Without each character, this show and this story wouldn’t be possible. 

This show is heavily reliant on the suspension of belief, believing what is happening in front of you regardless of how unrealistic or staged it appears on the surface. Because of this, the believability relies heavily on the actors, the dedication gone into their characters, and the way they choose to interact with the world around them. If they believe it, so too will the audience. Our audience especially, will be seeing a largely unexplored side of Into the Woods, up close and personal. We have the privilege of a space that forces creativity in sometimes the most wonderful and outlandish ways, like inviting the audience to join our cast in their adventure, rather than observe it from afar. Not only is this a feat for the Springfield area, but it is also a challenge posed to the cast. Each and every person stepping into the wood must believe that they are there, whether or not they intended for that outcome upon arrival.

Not only has this show alighted a spark within my heart, it has challenged me. The level of preparation, organization, and quick thinking has me constantly on my toes, and I have never been so excited about it before. At its core, this production is a vibrant mix of passion, creativity, and determination. I am so lucky I get to take the journey.

Dylan Bradley

Stage Manager, Into the Woods

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